Frankfurt: Joh. Feyerabend for S. Feyerabend, H. Takke and P. Fischer, 1587.
Octavo: 15.8 x 9.6 cm. , 573,  pp. Collation: *8, a-z8, A-Z8, aa-oo8
ONE OF SEVERAL FEYERABEND EDITIONS.
Bound in contemporary alum-tawed pigskin, ruled and tooled in blind, with sheaves of wheat and medallion portrait heads (soiled, minor defect to pigskin of lower board, lacking clasps. Internally a nice copy with the very faintest of toning, some 17th c. line numbering, a very few, insignificant stains, and a single, pin-prick size wormhole in the last few signatures. Overall quite nice. Provenance: 17th c. ownership inscription on title.
This edition is illustrated with 178 woodcut illustrations by the Nuremberg artist Virgil Solis (1514-1562). Solis’ celebrated illustrations are based on the woodcuts produced by the Lyonese artist Bernard Salomon for an edition printed by Jean de Tournes in 1557. The first edition with Solis’ woodcuts (which are larger than those of Salomon) appeared in 1563, printed by Georg Corvinus and Sigmund Feyerabend. See Stahlberg, “Virgil Solis and die Holzschnitte zu den Metamorphosen des Ovids”, in: Marginalien, 95 (1984), p. 29-35.
This edition, printed by Sigmund’s cousin, Johann (with Sigmund as publisher), includes a life of Ovid by Aldus Manutius.
VD16 O 1660; See Fairfax Murray (German) II, no. 345