Art, Festivals, Illustrated Books, & Architecture

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A Complete Set of Aldrovandi’s Natural History Works – With Noble Provenance and all Volumes in First Edition

Aldrovandi, Ulisse (1522-1605)
The complete 13-volume set of Aldrovandi’s natural history works. Vols I-III. Ornithologia; Vol. IV. De Piscibus; Vol V. Monstrorum Historia; Vol VI. De Quadrupedibus Digitatis Viviparis [et] Oviparis; VII. Quadrupedum omnium bisulcorum historia; VIII. De Quadrupedibus solidipedibus; IX. De Reliquis Animalibus Exanguibus; X. Serpentum, et Draconum Historiae; XI. Dendrologia; XII. De Insectis; XIII. Musaeum Metallicum.

Bologna: Various printers, 1599- 1668

$120,000.00

Folio. Each volume 35.3 x 24.5 cm.

Over the course of the second half of the sixteenth-century, the brilliant Italian naturalist Ulisse Aldrovandi’s sought to carry out an encyclopedic description of the natural world. Given the limits of the science of his day and the difficulty of obtaining accurate descriptions and specimens of animals, plants, and minerals from the four corners of the world, it is staggering how close he came to achieving this objective.

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The Black Legend - Witnessing Atrocities in the New World

AMERICAS. VOYAGES AND TRAVELS. Bry, Theodor de (1528-1598); Benzoni, Girolamo (1519-1572?)
Americae Pars Quarta. Sive, Insignis & Admiranda Historia de Reperta Primùm Occidentali India à Christophoro Columbo Anno M CCCCXCII scripta ab Hieronymo Bezono Mediolanense, qui istic a[n]nis XIIII versatus dilige[n]ter omnia observavit. Addita ad singula ferè capita, non contemnenda scholia in quibus agitur de earum etiam gentium idololatria. Accessit praeterea illarum regionum tabula chorographica. Omnia elegantibus figuris in aes incisis expressa à Theodoro de Bry Leodien..

Francofurti ad Moenum: Typis Ioannis Feyrabend, impensis Theodori de Bry., Anno M. D. LXXXXIIII. 1594

$35,000.00

Folio: 35 x 23 cm. [8], 145, [3] p.(-[2] blank lvs.), XXIIII lvs (minus final blank.) With an added double-page map. Collation: ):():(⁴, ):():(⁴, A-Q4, R6, Aa-Ee4, Ff6 (lacking blanks R6 and Ff6). Complete.

This book constitutes the fourth part of the first Latin edition of Theodor de Bry's “Grand Voyages” (“America”), the most famous collection of travel narratives from the Americas, printed in fourteen parts from 1590 to 1634.

This volume contains book one of Girolamo Benzoni’s influential “Historia del Mondo Nuovo”, in which the Milanese merchant-adventurer narrates his experiences in the Caribbean and the Yucatan.

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Church 154; Sabin Vol. III p. 36-37; Huth catalogue, vol. 2, p. 411; JCB, pre-1675, I: p. 393-4; Burden, Mapping of America no. 83

South American Voyages – A Fundamental Work on Brazil - With the Map

AMERICAS. VOYAGES AND TRAVELS. Bry, Theodor de (1528-1598); Staden, Hans von (ca. 1525- ca. 1576); Léry, Jean de (1534-1611); Barré, Nicolas (active 1555)
Americae Tertia Pars Memorabile[m] Provinciae Brasiliae Historiam: Contine[n]s, Germanico Primùm Sermone Scriptam à Ioa[n]ne Stadio Homburgensi Hesso, Nunc Autem Latinitate Donatam à Teucrio Annaeo Priuato Colchanthe Po: & Med: Addita Est Narratio Profectionis Ioannis Lerij in Eamdem Provinciam, Qua[m] Ille Initio Gallicè Conscripsit, Postea Verò Latinam Fecit. His Accessit Descriptio Morum & Ferocitatis Incolarum Illius Regionis, Atque Colloquium Ipsorum Idiomate Conscriptum. Omnia recens evulgata, & eiconibus in aes incisis ac ad vivum expressis illustrata, ad normam exemplaris praedictorum autorum: studio & diligentia Theodori de Bry Leodiensis, atque civis Francofurtensis anno M DXCII. [Second title]: Navigatio in Brasiliam Americae.

Frankfurt: Apud Ioannem Wechelum, impensis Theodori de Bry, 1592 but ? 1597

$38,000.00

Folio: 33.7 x 23.3 cm. [16], 134, [2], 137-296, [15] pp. The 2 engraved titles and the plate of arms are integral to the collation. With a large folding map. Collation: a-b4, A-Z4, Aa-Qq4 (leaf a2 mis-signed as a, leaf Ll2 as L2; leaf Qq4, a blank, absent).

“The collection of voyages, named after the De Bry publishing family coordinating the project, was one of the most monumental geographical publications of the early modern period, ranking alongside treatises like Sebastian Münster’s ‘Cosmographia’, Abraham Ortelius’ ‘Theatrum Orbis Terrarum’, and Joan Blaeu’s ‘Atlas Maior’. The collection encompassed twenty-five folio volumes containing nearly fifty travel accounts of European expeditions to the overseas world.

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Church 149; Borba de Moraes I, p. 249 (vol. 3) “contains the greatest number of accounts of voyages to Brazil.” Brunet vol. 1, col. 1323-1324; Huth catalogue, vol. 2, p. 409-410; JCB, pre-1675, I: p. 390-391; Sabin 8784, p. 33-37; Muller 1862

Excavating the Tombs of Ancient Rome

ARCHITECTURE. Bartoli, Pietro Santi (1635-1700)
Gli antichi sepolcri : ovvero Mausolei Romani, ed Etruschi, trouati in Roma & in altri luoghi celebri; nelli quali si contengono molte erudite memorie, raccolti, disegnati, & intagliati da Pietro Santi Bartoli ed ora esistenti tra le Stampe di Domenico de Rossi erede di Gio. Giacomo, a S. Maria della Pace, con privilegio del sommo pontefice.

Rome: Stampe di Domenico de Rossi, erede di Gio. Giacomo [de Rossi], 1727

$3,500.00

Folio: 33 x 22.5 cm. 8 lvs. of letterpress (the last one blank), 114 engraved plates (2 of which are double-paged.) The plates are numbered 1-110 (with four other plates numbered 1, 4, 72, and 72.)

First published in 1697, this is a fascinating and beautifully executed work documenting the ancient sepulchral monuments of Roman and Etruscan Italy. In particular, it highlights tombs discovered from 1689 onwards in the grounds of the Villa Corsini at the Porta San Pancrazio in Rome. The images include renderings and cross-sections of tombs and columbaria,  detailed depictions of tomb paintings, sarcophagi, funerary urns, free-standing and relief sculpture, and inscriptions.

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An Unpublished, Illustrated 17th c. Italian Architectural Manuscript - With Images of Saint Peter’s and the Villa Pamphili and its gardens

ARCHITECTURE. ITALY.
Untitled manuscript in Italian on paper in brown ink, with illustrations in ink and was over pencil underdrawings.

Italy: possibly Rome, late 17th c., ca. 1693

$65,000.00

Quarto: 22.5 x 16.4 cm. 2 unn. lvs., 8 lvs. foliated 1-8, pp. 9-180, 183-185, 188-189, 200-205, 208-233, 224-231, [1], 231-267 pp., followed by 68 unn. lvs., blank aside from leaf 61 and 65. Apparently lacking one leaf between pages 180 and 183. The rest of the pagination irregularities are just numbering errors.

A fine, unpublished architectural manuscript with sections on mathematics, perspective, ballistics. Several prominent buildings are described and illustrated, including Rome’s Saint Peter’s Basilica, the Palazzo dei Conservatori and Palazzo dei Senatori on the Campidoglio, Sant’Agnese, and the Villa Pamphili. The text is profusely illustrated with very precise architectural drawings in ink and wash.

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Achieving a Synthesis of Architecture, Painting, & Scenography

ARCHITECTURE. THEATER DESIGN. Galli Bibiena, Giuseppe (1696-1757)
Architetture, e prospettive dedicate alla maesta di Carlo Sesto.

Augsburg: Andreas Pfeffel, 1740

$26,000.00

Folio: 39.5 x 30 cm. 5 folding lvs. (1 letterpress leaf, 4 engraved lvs. (title, dedication, frontis., and portrait), 50 engraved plates divided into 5 series of 10 plates each.

First edition of this important architectural work, richly illustrated, by Giuseppe Galli da Bibiena. First edition of this richly illustrated work on architecture and perspective. The finely engraved plates show brilliant baroque compositions for catafalques, theatrical scenes, a series for the Passion of Christ in elaborate architectural settings, and the decoration of the Riding School at Vienna for the marriage of the Archduchess Mariana with Prince Charles of Lorraine.

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Fowler, 136; Kat. Berlin, 4152; not in Millard; not in Vagnetti

A Sammelband of Major Architectural Works & Related Engravings

ARCHITECTURE. Vredeman de Vries, Jan (1527- ca. 1607); Dietterlin, Wendel (ca. 1550-1599); Floris de Vriendt, Cornelius II (before 1514-1575), et al.
A magnificent, profusely illustrated sammelband, consisting mainly of (more than 300) large engraved and etched plates, comprising several major architectural treatises - including the masterpiece of the mannerist architecture Wendel Dietterlin and three important suites by Vredeman de Vries- augmented with an additional three rare series of plates of architectural elements and ornaments.

Antwerp, Nuremberg, and elsewhere: Various printers, 1557-1604

$45,000.00

1. Vredeman de Vries, Jan (1527- ca. 1607)

 Architectura [Ou art de bastir des Antiques, tiré de Vitruve: qui sont cincq ordres de colonnes, don’t l’on peut tirer toutes sortes de bastimens, selon l’usance et coustume de chascun pays: utile à tous Architects, Massons, Tailleurs de pierre, Menuisiers, et à tous amateurs de l’Architecture.

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Two New Instruments for Drawing in Perspective

ART. ARCHITECTURE. PERSPECTIVE. Gargiolli, Guglielmo (d. 1664)
Iride celeste de Guglielmo Gargiolli […] Strumento con il quale con facilita si puo disegnare qualsivoglia veduta, e sapere la sua giusta altezza, larghezza, e lontanaza dal luog'ove si sta a disegnarla.

Florence: Giovanni Antonio Bonardi, 1655

$15,000.00

Quarto: 20.3 x 14.7 cm. 93 pp. A-M4 (H1 is a cancel, -L4), π1. With an added portrait-frontispiece of the author, 1 folding table, and 5 folding plates.

Very rare first edition of this treatise on perspective by Guglielmo Gargiolli, the renowned mathematician of the Medici courts of Siena and Florence, and a correspondent of Galileo. The work is dedicated to Ferdinand II, Grand Duke of Tuscany.

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Riccardi, VII, p. 40, «è de noverarsi fra i primi tentativi di distanziometria», Riccardi mistakenly records an earlier edition of 1619 relying on Targioni, Atti, I, p. 334, but the date is obviously incorrect in respect of Gargiolli’s rather obscure biography. See ‘Le opere dei discepoli di G. Galilei, Carteggio (1642–48)’, vol. I, a cura di P. Galluzzi e M. Torrini, Firenze 1975, no. 11

"The Dance of Shadows" - An Important Treatise on Painting & Dutch Art by Rembrandt's Pupil

ART. PERSPECTIVE. Samuel van Hoogstraten (1627-1678)
Inleyding tot de hooge schoole der Schilderkonst: Anders de Zichtbaere Werelt. Verdeelt in negen Leerwinkels, yder bestiert door eene der Zanggodinnen.

Rotterdam: F. van Hoogstraeten, 1678

$16,000.00

Quarto: 20.5 x 16 cm. (14), 361, (8)p., Etched title, engraved portrait by J. Oudann, 14 folding plates and 4 illustrations. Collation: π1, *4, **3, A-Z4, Aa-Zz4, 2π1. With an engraved title, 2 copies (different states) of the portrait, 9 engraved chapter titles, 5 engraved anatomical plates, and an added pen and ink illustration (not called for.)

In addition to the added plates there are 4 remarkable text illustrations showing the way light falls and shadows are cast. The most famous of these illustrates the "Dance of Shadows", Van Hoogstraten's innovative theater concept. Each book is prefaced by an allegorical engraving by Van Hoogstraten.

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Arntzen/ Rainwater H63; Hollstein IX, p. 142, 31: J. de Mann, Kunst op schrift, Kunst op Schrift: Een inventarisatie van Nederlandstalige publikaties op het gebied van kunsttheorie en esthetica 1670-1820, 23

The Controversy over the use of Telescopic Sights. Hevelius observes the Skies with Edmond Halley Two Months Before his Observatory is Lost to Fire

ASTRONOMY. Hevelius, Johannes (1611-1687)
Johannis Hevelii Annus climactericus, sive Rerum uranicarum observationum annus quadragesimus nonus; exhibens diversas occultationes, tam planetarum, quàm fixarum post editam machinam coelestem; nec non plurimas altitudines meridianas solis, ac distantias planetarum, fixarumq́ue, eo anno, quousque divinaconcessit benignitas, impetratas: cum amicorum nonnullorum epistolis, ad rem istam spectantibus: & continuatione historiae novæ stellæ in collo Ceti, ut & annotationum rerum coelestium ...

Danzig: Sumptibus auctoris, typis D.F. Rhetii, 1685

$35,000.00

Folio: 34.8 x 22.5 cm. [6] lvs. 24, 196 pp. Collation: )( 6, )(4, )()(4, )()()(4, A-Z4, AA6. With engraved title page vignette and 7 (1 double-page) engraved plates.

“Annus Climactericus” was the last of Hevelius’ works published in the author’s lifetime. The book comprises observations of the planets, sun, moon, and fixed stars, many of which were made alongside the English astronomer Edmond Halley. The observations were made from 8 January until 25 September 1679, subsequent to the publication of the second volume of Hevelius’ “Machina Coelestis”, almost the entire press run of which was lost in the fire that destroyed Hevelius’ observatory on 26 September 1679.

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VD17 39:125045B; DSB 6, 363; Honeyman 1675. For a thorough discussion of the Hevelius-Hooke controversy, see Saridakis, “Converging Elements in the Development of Late Seventeenth-Century Disciplinary Astronomy: Instrumentation, Education, and the Hevelius-Hooke Controversy”, p. 129 ff.; For an assessment of the relative accuracy of Halley’s and Hevelius’ computations at Danzig, see Cook, “Edmond Halley: Charting the Heavens and the Seas”, p. 93 ff.; For Hevelius’ work on the binary star Mira Ceti, see Hatch, “Hevelius- History and Identity”, in “Change and Continuity in Early Modern Cosmology”, p 158 ff.; For D. Capellus’ contemporary account of the fire and a detailed inventory of Hevelius’ losses, see MacPike, “Hevelius, Flamsteed, Halley”, Appendix I. (London, 1937)

Continuing the work of Pacioli and Leonardo - A Fundamental Work on Perspective and the Graphic Representation of Architecture - A Book that Directly Influenced Palladio’s Representation of Buildings in his “Quattro Libri Dell’Architettura”(1570)

Barbaro, Daniele (1540-1570)
La Practica della Perspectiva.

Venice, Borgominieri, 1569

$16,500.00

Folio: 29 x 22 cm. 195 pp., (6) ff. Collation: A-O4, P6, Q-Z4, Aa4, Bb6

First edition of the first systematic treatise on the practical applications of perspective, “La Practica della Perspectiva”, written by the distinguished Venetian patron of Palladio, Daniele Barbaro. Barbaro produced his own edition of Vitruvius in 1567, for which Palladio had furnished illustrations.

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Fowler 36; Millard, Italian Architecture, p. 38-40; Mortimer 39; Vagnetti EIIb23; Wiebenson III-B-7; Berlin Katalog 4694; Kemp, Science of Art, p. 189. Adams B-171; Riccardi I/1°, col. 76; Vagnetti, Prospettiva, EIIb23; Gernsheim, History of Photography, pp. 7-8.

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

$16,000.00

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

Magnificent Views of Medieval, Renaissance and Baroque Rome. A Masterpiece By Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762); Montagù, Domenico (d. 1767)
Les Plus Beaux Édifices De Rome Moderne, Ou Recueíl Des Plus Belles Vües Des Principales Églises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinées Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravées en XLIV. Grandes Planches et Plusieurs Vignettes; Par D’Habiles Maitres. Avec La Description Historique De Chaque Edifice.

Rome: Chez Bouchard et Gravier Libraires françois rüe du Cours près l’Eglise de S. Marcel, de l 1763

$22,000.00

Large Folio: 53.5 x 38 cm. [vi], 72 pp. Collation: [π]3, A-Z1, Aa-.Nn1. With 44 double-paged plates. Complete.

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views of the ancient city appeared 7 years after his collaboration with Piranesi; the present work on “Rome Moderne” appeared two years later, the year that Barbault died.

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Berlin Catalogue 2712; Millard IV, 14; Not in Fowler

An Unpublished Architectural Treatise – Illustrated with 20 Drawings

Bianconi, Domenico
Vedute d'architettura antica in prospettiva di Domenico Bianconi alla Reale Academia di Francia in Roma.

Rome: the author, ca. 1760

$45,000.00

Oblong quarto: 21 x 27.6 cm. 29 unnumbered leaves, comprising 1 blank, 2 calligraphic title pages, a portrait of the author (aged 75), 4 leaves of text with ruled borders, and 20 full-page architectural drawings in brown ink and wash.

A remarkable, unpublished manuscript treatise by Domenico Bianconi, an architect and scenographer who worked in the style of Ferdinando Galli Bibiena (1657-1743). The manuscript was written while Bianconi was professor of perspective at the French Academy in Rome.

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Otto Schäfer's Copy –An Exceptional Set in Contemporary Green Calf –Illustrated with 75 Fine Woodcuts

BIBLE. OLD TESTAMENT IN GERMAN. Luther, Martin (1483-1546), translator
Das Alte Testament Deutsch nach urspringlicher Hebreischer warheit. Mit schöner der schwersten [W]örter ausslegung.

Strasbourg: Johann Knobloch, [?January] 1524, July 1524, March 1525

$85,000.00

Folio: Three volumes bound as one. 30.5 x 20.8 cm. Vol. I: [6], CLI, [1] lvs. Vol. II: [1], CXC, [1] lvs., Vol. III: LXXXVII lvs. Collation: Vol. I: i-vi, A-Z6, Aa6, Bb8 (Bb8 blank and present.) Vol. II: A-Z6, Aa-Ii6 (Ii6 blank and present). Vol III: A-C6, D4, E-P6

A fine set of an early printing of Luther's German Old Testament, profusely illustrated. The first volume of the Old Testament, including the Pentateuch, was first published at Wittenberg by Melchior Lotter, the Younger, for Lucas Cranach and Christian Döring,in mid-1523.

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An Illuminated Parisian Book of Hours Printed on Vellum

BOOK OF HOURS
Hore dive virginis Marie, secundum usum Romanorum, cum aliis multis, folio sequenti notatis, una cum figuris Apocalipsis, et multis figuris Biblie insertis [With a calendar for 1513-1527]

Paris: Gilles Hardouyn for Germain Hardouyn, 9 August, 1514

$26,000.00

Octavo: Printed on vellum.. 16.2 x 10.5 cm. 112 lvs. Collation: A-O8. Complete

Printed at Paris by Gilles Hardouyn (?1455-?1529) for his brother Germain Hardouyn (d. 1541) at his printshop at the sign of the golden rose near the Pont Notre-Dame. The illustrations were probably produced in the workshop of the Parisian artist Jean Pichore (fl.

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Lacombe, Livres d'heures imprimés au XVe et XVIe siècle conservés dans les bibliothèques publiques de Paris, catalogue, no 251 (p. 146); Renouard, ICP, II, 865; Bohatta, 959; Van Praet, I, n° 116 and 132; Brunet 243; Renouard, Les marques typographiques parisiennes des XVe et XVIe siècles, 429 and 431. Another velum copy is held at the Bibliothèque Genève Switzerland.

The first attempt in the Low Countries to publish an emblem book

Brontius, Nicolaus
Libellus de utilitate et harmonia atrium, tum futuro iurisconsulto, tum liberalium disciplinarum politiorisue literaturæ studiosis utilissimus [Bound with:] Libellus compendiariam tum uirtutis adipiscendae tum literarum parandarum rationem perdoce[n]s, bene beateque uiuere cupienti, a primis utilis

Antwerp: S. Cocus, 1541

$6,800.00

Octavo: Two works bound as one: 15.4 x 9.8 cm. I. A-C8, D4, E-I8; II. A-D8, E4, F-G8 (G8 blank and present.)

I."A very useful Book concerning the Utility and Harmony of the Arts, for future lawyers as well as for students of the liberal arts and literature" is the work of the Flemish lawyer and poet Nicolas le Bron, tutor to the young Charles de Croy, Prince of Chimay, to whom this work is addressed.

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Cockx-Indestege, E. Belgica typographica, 422 and 423; Funck p. 123 and 286; Machiels B-976/975; BM STC Dutch and Flemish, 1470-1600, p. 42; Adams B2899 and B2900; Not in Landwehr, who begins with emblemata published from 1542 onwards.

“No greater flaw than in those who are crazy for women”

Brune, Johan de (1588-1658), author; Van de Venne, Adriaen (1589-1662), artist.
Emblemata of zinne-werck: voorghestelt, in beelden, ghedichten, en breeder uijt-legginghen, tot uijt-druckinghe, en verbeteringhe van verscheijden feijlen onser eeuwe. Den tweeden druck met nieuwe plaeten en eenige zedespreucken vermeerdert

Amsterdam: Bij Abraham Latham, Boeckverkoper op 1661

$3,800.00

Quarto: 23 x 17.5 cm. [8], 378 [i.e. 380] pages. Collation: *4, A-Z4, Aa-Zz4, Aaa4, Bbb2

The text is illustrated with 52 copperplate engravings by Christof Le Blon (d. 1665), Johann Gelle (d. 1625), Willem van de Passe (1598-1637), Albert Poel (active 1624), and Jan Gerrits Swelinck (b. ca. 1601), all after Adriaen van de Venne (1589-1662). “Poet, propagandist, and painter in oil and watercolor, Adriaen van de Venne was also seventeenth-century Holland’s outstanding designer of book illustrations.

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Verkruijsse, 1054: "De druk van Jan Jacobsz. Schipper van 1661 baseert zich op de aangevulde titeluitgave van 1636: het is daarvan een regel-voor-regel herdruk." (p. 52); Landwehr, Emblem Bks., 32c ; Praz, p. 30, no. 78: "(...) these realistic emblems form a counterpart to genre painting and supply interesting evidence for the history of costume."; De Vries, Nederlandsche Emblemata, 116; McGeary & Nash. Emblem books at the University of Illinois, B43; Beijers I, no 242.

The First Illustrated Martial bound with A Catullus Incunable

Catullus, Gaius Valerius (ca. 84- ca. 54 B.C.); Tibullus (ca. 50- ca. 18 B.C.); Propertius, Sextus. (ca. 49- ca. 16 B.C.); Martial [Marcus Valerius Martialis] (c. 40 - ca. 104 A.D.)
Tibullus, Catullus & Propertius cu[m] commento. Venice: Bonetus Locatellus for Octavianus Scotus, 5 December 1491 [Bound with] Epigrammata cum Do. Chal. ac Geo. Me. Commentariis

Venice: Venice: Philippus Pincius (Filippo Pinzi), 1510

$16,000.00

Folio: 31 x 21.5 cm. I. (Catullus) [158] lvs. Collation: A-c8, d-e6, f-s8, t-x6 (lacking blank leaf x6). II. (Martial) CLXI lvs. Collation: A-T8, V10 (lacking blank V10)

THE FIRST ILLUSTRTED EDITION OF MARTIAL:

The book is illustrated with 15 woodcuts, beginning with a scene showing five seated figures writing, the central three identified as Martial and his commentators Domizio Calderini (1447-1478) and Giorgio Merula (ca.

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I. Goff T-372; Hain 4763; Proctor 5029; BMC V, 439; Literature: Julia Craig Gaiser, “Catullus” in “Catalogus Translationum et Commentariorum”, Vol. VII). II. EDIT 16, CNCE 34895

The First Illustrated Edition of Catullus

Catullus, Gaius Valerius (Ca. 84-Ca.54 B.C.); Tibullus (Ca. 50-Ca.18 B.C.); Propertius, Sextus. (Ca. 49-Ca. 16 B.C.)
Al. Tibullus elegiarum libri quatuor: una cum Val. Catulli epigrammatis; nec non & Sex. Propertii libri quatuor elegiaci; cum suis commentarii, vz. Cyllaenii Veronensis in Tibullum; Parthenii & Palladii in Catullum, & Philippi Beroaldi in Propertium. Habes insuper emendations in ipsum Catullum per Hieronymum Avancium Veronensem.

Venice: Guilielmo de Fontaneto. Montisferrati, 1520

$4,800.00

Folio: 30.5 x 21 cm. Collation: aa4, a-c8, d10, e-k8, l6, m10, n-x8, y10 (final blank lacking.)

With the commentaries of Bernardinus Cyllenius on Tibullus; Antonius Parthenius and Palladius Fuscus on Catullus, Philippus Beroaldus on Propertius; and the Emendationesof Hieronymus Avantius on Lucretius, Catullus, the Priapeia, and Statius' Silvae.

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Sander 7315; Essling 2078; EDIT 16 CNCE 37682