Greek & Latin Classics, Roman Antiquity

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Stanley’s Aeschylus

Aeschylus (525/4-456 B.C.); Stanley, Thomas (1625-1678), editor.
[Works in Greek], Aeschyli traoediae septem: cum scholiis Græcis omnibus; deperditorum dramatum fragmentis, versione & commentario Thomæ Stanleii.

London: Typis Jacobi Flesher: prostant verò apud Cornelium Bee, M DC LXIII. 1663

Folio: 31.8 x 20.1 cm [32], 886 p. Collation: (a)2, (b)-(g)2, A-Z2, 2A-9Z2, 10A-10P2

$6,000.00

In his “Early Printed Editions of Aeschylus (1518-1664)”, J.A. Gruys gives a detailed account of Stanley’s working method, beginning with an examination of the extant manuscript materials, and vindicates Stanley from Fraenkel’s charges that Stanley’s edition relied too heavily on the work of the scholar John Pearson and that Stanley himself was a scholar of much meaner abilities.

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Wing A684

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

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Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

“Nudi, Recti, Venusti” -Cicero

Caesar, Gaius Iulius (100-44 B.C.)
C. Iulii Caesaris Rerum ab se gestarum commentarii. De bello Gallico libri VIII. De bello civili Pompeiano libri III. De bello Alexandrino liber I. De bello Africo liber I. De bello Hispaniensi liber I. Ex vetustiss. scriptis codicibus emendatiores. [Bound with:] Eutropius: Epitome belli Gallici ex Suetonii Tranqulli monumentis.

Paris: ex officina Rob. Stephani, 1544

Octavo: 17 x 11 cm. (32), 523, (1, blank), (108) pp. Collation: I. *8, **8 (**4 and 5 are conjugates that form the folded map of Spain), a-z8, A-Q8, R4. II. 134, (16) pp. Collation: A-I8, K4

$4,500.00

This edition of Caesar includes the texts of the “Gallic Wars” and “Civil War”, together with the "De bello Alexandrino", "De bello Africano", and "De bello Hispaniense", ascribed to Aulus Hirtius. This edition also includes Raimundo Marliano’s useful index of the topography of Gaul in Roman times.

Admired for their style (most famously by Cicero) and read by both his supporters and detractors alike in antiquity, Caesar’s Commentarii fell into obscurity in the Middle Ages.

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Schreiber, The Estiennes, no. 72 and 73; Renouard 61.15; Adams C-38 and E 1133

The Second Aldine Caesar

Caesar, Gaius Iulius (100-44 B.C.)
Hoc volvmine continentvr haec: Commentariorum de bello Gallico libri VIII. De bello ciuili Pompeiano libri IIII. De bello Alexandrino liber I. De bello Africano liber I. De bello Hispaniensi liber I. Pictura totius Galliae, & Hispaniae secundum C. Caesaris Commentarios. Nomina locorum, urbiumq[ue] & populorum Galliae, & Hispaniae, ut olim dicebantur latine, & nunc dicantur, secundum ordinem alphabeti. Pictura pontis in Rheno. Item Auarici. Alexiae. Vxelloduni. Massiliae.

Venice: In aedibvs Aldi, et Andreae soceri, Mense Ianvario. 1518 [and] Mense Novemb. 1519

Octavo: 16.3 x 10 cm. [16], 296 leaves. Collation: A-B8, a-z8, aa-kk8; ll-oo8. Complete with blank leaves B8 and kk7.

$6,500.00

This edition contains Caesar's extant works: the “Commentarii de Bello Gallico”, Caesar’s account of his campaigns in Gaul, covering the period from 58 to 52 B.C.; and the “De Bello Civili”, covering the events of the civil war between Caesar and Pompey in 49 and 48 B.C.. Also included are Book VIII of the "Bellum Gallicum", and the "Bellum Alexandrinum" (appended to the three books of the “Bellum Civili” as Books IV through VII), both attributed to Caesar's lieutenant Aulus Hirtius.

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Renouard, p. 88, no. 11; Ahmanson-Murphy, No.’s 185 and 185a

The First Edition to include Sappho’s poem “Phainetai moi kênos îsos theoisin” in Conjunction with Catullus 51

Catullus, Gaius Valerius (ca. 84-ca. 54 B.C); Muret, Marc Antoine (1526-1585), editor
Catullus et in eum Commentarius M. Antonii Mureti.

Venice: Apud Paulum Manutium, Aldi filium, 1554

Octavo: *4, A-Q8, R10

$3,800.00

"In 1552 Muret lectured on Catullus and other Latin poets in Paris, perhaps at the College du Cardinal Lemoine or the College de Boncourt. Included in his large and enthusiastic audiences were several poets of the Pléiade -most notably Ronsard, his friend and near contemporary. Muret's lectures created a fashion for Catullan poetry. His own neo-Latin collection, Juvenilia (1552), contains several Catullan imitations, but Catullus is still more important in the poetry of the Pléiade, much of which appeared close on the heels of his lectures.

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Renouard 162/19; Adams C-1145; Schweiger (Latin) Vol. I, p. 84

A Rare Venetian Incunabulum- In A Contemporary Landshut Binding

Cicero, Marcus Tullius (106-43 B.C.E.)
De officiis. Commentary by Petrus Marsus. Laelius, sive de amicitia. Commentary by Omnibonus Leonicenus; Cato maior, sive de senectute. Commentary by Martinus Phileticus; Paradoxa Stoicorum.

Venice: Bernardinus Benalius, about 1488

Super-chancery folio: 30.9 x 21.1 cm. a-r8, s-t6, u-z8 180 lvs. 59 lines of commentary surrounding the text. Types 110 (106) R.; 80 R. (first state); 80 Greek. Roman type with occasional Greek, several woodcut capitals, initial spaces.

$24,000.00

This edition of Cicero’s “On Duties”, “On Friendship”, “On Old Age”, and the “Paradoxes of the Stoics” features the commentaries of the Renaissance humanists Pietro Marsi (1442-1512), Ognibene da Lonigo (1412-1474), and Martino Filetico (1430?-1490?).

Written around 40 B.C.E. and addressed to his son Marcus, Cicero’s "De Officiis’ may be considered Cicero’s philosophical testament.

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ISTC ic00604000; HR 5270; GW 6958; BMC V, 372; BSB-Ink C-366; Goff C-604. 

7 North American copies: Harvard, Huntington, Hollins Univ., LC, Illinois, Walters, Yale.

The First Aldine Dante

Dante Alighieri (1265-1321)
Le terze rime di Dante.

Venice: Aldus Manutius, August 1502

Octavo: 15 x 9.1 cm. 244 unnumbered leaves. Collation: a-z8, A-G8, H4. Leaf l2 is a blank.

$16,000.00

This is the issue with the Aldine anchor and dolphin device on the final leaf. Quires a-c were also completely re-set, the present copy having the headline 'INFERNO' on a2r, and 'INF' in all the other leaves of these quires.

The edition – titled here simply “Le terze rime” – signals a linguistic restoration of the work and an important advance in the recovery of the original text.

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De Batines, I, pp. 60-62; Mambelli, 17; Renouard, p. 34, no. 5; Ahmanson-Murphy, 59; Dionisotti-Orlandi, “Aldo Manuzio editore”, no. XXX; Adams, D-83; Gamba, 385

The Most Accurate Measurements of Roman Architecture to Date. Illustrated with 137 engravings

Desgodets, Antoine (1653-1728)
Les Edifices Antiques de Rome Dessinés et Mesurés très exactement

Paris: Jean-Baptiste Coignard, 1682

Folio: Jean-Baptiste Coignard, Engraved title page, [12], 324 pp. Collation: [ ]1 (Etched title page), [π]2, e2, i2, A1, B-E2, F1,

$11,500.00

“Antoine Desgodets, born into a family of prominent craftsmen, was already working in the Département des Bâtiments by the age of 16. In 1672 he began to assist at the conferences of the Académie Royale d’Architecture, and in 1674 was sent by Colbert to Rome. In 16 months he measured many of the important ancient buildings, with greater accuracy than had been achieved to that date.

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Millard (French) No. 62; BAL, 858; Fowler, 102 ; Cat. Berlin, 1863

Barnes’ Euripides

Euripides (484-406 B.C.); Barnes, Joshua (1654-1712), editor.
Works in Greek. Euripidis quæ Extant Omnia: Tragoediæ nempe XX, præter ultimam, omnes completæ: item fragmenta aliarum plusquam LX tragœdiarum; et epistolæ V. Nunc primùm & ipsæ hùc adjectæ: scholia demùm doctorum virorum in septem priores tragœdias, ex diversis antiquis exemplaribus undiquaque collecta & concinnata ab Arsenio Monembasiæ Archiepiscopo. ... Operâ & studio Josuæ Barnes S.T.B. Emmanuelis Collegii apud Cantabrigienses Socii maximè senioris.

Cambridge: Ex officinâ Johan. Hayes, celeberrimæ Academiæ typographi. Impensis Richardi Green bibliopolæ Cantab., 1694

Folio: 32 x 20.5 cm. [8], lvi, 330; [2], 529, [43 ] p. Collation: a-g4, h2, (A)2, B-Z4, Aa-Tt4, Vv2, a-z4, aa-zz4, aaa-zzz4, aaaa-bbbb4, cccc2. With two added engraved portraits of Barnes and Euripides.

$2,500.00

“The merits of all preceding editions are eclipsed by this celebrated one of Joshua Barnes. Fabricius observes that ‘the text is accurately revised and printed, the metrical rules of Canter diligently corrected, and the entire ancient scholia on the first seven plays subjoined and enriched by excerpta from a manuscript in Corpus Christi College, Cambridge. The notes of various learned men, and those of Barnes accompany the scholia; the fragments of Euripides are carefully collected and displayed, with Greek and Latin notes as far as verse 2068; lastly, there are some epistles, attributed to Euripides.

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Wing E 3415; Schweiger p. 115, col 2

One of the Most Important 16th c. Guidebooks to Rome. Complete with the Rare Plan of Rome

Gamucci, Bernardo (fl. 1580)
Le antichità della città di Roma raccolte sotto brevità da diuersi antichi & moderni scrittori, per M. Bernardo Gamucci da San Gimignano ; et con nuovo ordine fedelmente descritte, & rappresentate con bellissime figure, nel modo che à tempi nostri si ritrouano. In questa seconda editione da infiniti errori emendate & corrette da Thomaso Porcacchi.

Venice: Appresso Giovanni Varisco e i compagni, 1569

Octavo: 15 x 10 cm. [8], 201 leaves, [1] folded leaf of plates. Signatures: [dagger]8, A-Z8, Aa8, Bb10. With an added folding plan of the city of Rome.

$7,400.00

Gamucci’s “Four Books of Roman Antiquities” is one of the most valuable 16th c. guidebooks of ancient and Renaissance Rome. According to Schudt, Gamucci and Fulvio are the only late 16th c. guidebook writers to include their own contributions to the subject (rather than relying solely on earlier writers.) As a result, there is a sense of immediacy to Gamucci’s work. For instance, Gamucci is one of the first writers to mention the newly discovered “Forma Urbis”, the ancient “Marble Plan” of Rome, and his comments give us insight to the contemporary reception of this important, if problematic discovery.

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Adams G204; Schudt, Le guide di Roma, 712; cf. Cicognara 3743

The Zanetti Hesiod: A Perfect Copy in Contemporary Pigskin by Konrad Küne

Hesiod (fl. CA. 700 B.C.)
Works, in Greek. Hesiodi Ascraei Opera et Dies. Theogonia. Scutum Herculis. Omnia cu[m] multis optimisque expositionibus. Hesiodi Ascraei Opera et Dies. Theogonia. Scutum Herculis. Omnia cu[m] multis optimisque expositionibus.

Venice: Bartolomeo Zanetti, for Joannes Franciscus Trincavellius, 1537

Quarto: 20.8 x 15 cm. [4], 188 leaves. +4, [alpha]-[psi]8, [omega]4

$15,000.00

First and sole Zanetti edition, an edition famous for its typographic beauty. This edition is of central importance, as it contains the first printing of the Greek scholia, and formed the basis of virtually all subsequent editions. Dibdin says that "this is a truly valuable, if not indispensable, volume in a library of any classical pretension." This edition includes all of the works ascribed to Hesiod: the "Works and Days", the "Theogony" and the "Shield of Herakles".

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Mortimer 233. Brunet III:140. Sander 3380; Adams H-470; Hoffmann II, 248; Bibliotheca Bacchica 345; Layton, pp. 33, 513-21; Schweiger I, 143; Graesse III, 262; STC Italian, p. 326.

The Elzevir Homer

Homer
Greek text. Homeri Ilias & Odyssea, Et in easdem scholia, sive interpretatio Didymi. Cum Latina versione accuratissima, Indiceque Graeco locupletissimo Rerum ac variantium lection. Accurante Corn. Schrevelio.

Amsterdam: Ex Officina Elzeviriana, 1656

Quarto. 24.5 x 20.3 cm. Two volumes bound as one: *4, **4, A-Z4, Aa-Zz4, Aaa-Zzz4, Aaaa-Vvvv4, Xxxx2; a-z4, aa-zz4, aaa-xxx4, aaaa-eeee4, ffff2

$6,500.00

This edition contains the Greek texts of the Homeric epics, the "Iliad" and "Odyssey"; as well as the Homeric Hymns and the mock epic "Batrachomyomachia". With the Latin translation of the classical scholar Cornelius Schrevelius (1608-1661) and the Greek commentary of Pseudo Didymus.

"Whatever our views may be on the authorship of the Homeric poems, there is no doubt of their astonishing quality.

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Willems 1202; Dibdin II, 53; Brunet III, 272; Graesse III, 328; Schweiger I, 158; Bibliotheca Philologica Classica et Archaeologica (1913), 2087 ('Cette belle édition est recherchée à cause des commentaires')

The Third Aldine Homer

Homer
ΟΜΗΡΟΥ ΙΛΙΑΣ HOMERI ILIAS [and:] ΟΔΥΣΣΕΙΑ. Βατραχομυομαχια. Υμνοι. ϕβ. VLYSSEA. Batrachomyomachia. Hymni XXXII.

Venice: In aedibus Aldi et Andreae Asulani Soceri, 1524

Two octavo volumes: 16 x 9 cm. I. [1-7]8, A-Z8, AA-LL8, MM6 II. A-z8, A-H8, I4

$24,500.00

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Adams H-745; Ahmanson-Murphy 226; Renouard 98:1; Brunet III, p. 269; Graesse III, 326; Hoffmann ii 460

Jean de Sponde’s edition of Homer

Homer; de Sponde, Jean (1557-1595), editor
Homeri quae exstant omnia (Graece) : Ilias, Odyssea, Batrachomyomachia, Hymni, poëmata aliquot : cum Latine versione omnium quae circumferuntur emendatiss. aliquot locis iam castigatiore : perpetuis item iustisque in Iliada simul & Odysseam Io. Spondani Mauleonensis commentarii : Pindari quinetiam Thebani Epitome Iliados Latinis versib. & Daretis Phrygij de bello Troiane libri, à Corn. Nepote eleganter Latino versi carmine. Editio vltima superiore limatior. Indices textus Homeri & Commentariorum locupletissimi.

Basel: Sebastian Henric Petri 1606

Folio: 351 x 232 mm. [alpha]-[gamma]6, a-z6, A-P6, Q4, R-S6; [alpha]2, Aa-Zz6, AA-HH6, II4, KK-LL6

$3,800.00

Second edition with the commentary of the French Calvinist scholar Jean de Sponde (1557-1595), dedicated to his patron Henri de Navarre. Includes the Greek text and Latin translations of the Iliad, Odyssey, Batrachomyomachia, and the Homeric Hymns. This volume also includes the fifth century (?) pseudo-historical "De Bello Troiano" by Dares the Phrygian and the "Ilias Latina", a first century (?) Latin epitome of the Iliad ascribed in medieval manuscripts to "Pindarus Thebanus".

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Schweiger, Greek p. 157

The Koberger Horace

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

Profusely Illustrated

Huttich, Johann (ca. 1490-1544); Weiditz, Hans (ca. 1495- ca. 1536), artist
Imperatorum et Caesarum Vitae, cum Imaginibus ad vivam effigiem expressis. Libellus auctus cum elencho & Iconiis Consulum ab Authore. M.D. XXXIIII

Strasbourg: Vuolphgangus Caephalaeus, 1534

Quarto: 19 x 14 cm. Aa-Bb4; A-X4, Y6; aa-dd4. Complete.

$5,000.00

Fourth and most complete edition of Huttich’s "Imperatorum et Caesarum Vitae", his most important work, first published in 1525. The first section covers the imperial families from Julius Caesar to Gallienus, the son of Valerian. This section is followed by "thirty tyrants", a group of third-century would-be usurpers and self-proclaimed Augusti and Caesares, and the emperors and Augusti from Aurelian to Theodosius II and Valentinian III.

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Adams H-1248; BM German p.427 (602.b.I); Chrisman H5.1.4b; Fairfax Murray #219; Campbell Dodgson II, 148; Brunet III, p.392; Cunnally, pp. 197-198

The First Appearance of the Palatino Topographical map of Rome

Marliani, Bartolomeo (d. 1560)
Vrbis Romae topographia B. Marliani ad Franciscvm Regem Gallorvm eivsdem vrbis liberatorem invictvm. Adiecta priori eiusdem auctoris topographiae editioni in hoc opere sunt. Vrbis, atque insignium in ea aedificiorum descriptiones, compluràque alia memoratu digna. Errores nonnulli sublati. Tituli, inscriptionèsque non aliter, quàm ipsis inerant marmoribus, emendatissime expressi, qui ab aliis hactenus neglecto ordine, & perperam in lucem editi inveniuntur.

Rome: Valerio and Luigi Dorico, 1544

Folio: 30.5 x 21 cm. [12], 122, [2] pp. A6, A-B4, C-L6

$18,000.00

Illustrated with 23 fine woodcut illustrations (of which five are full-paged), including a double-page map of Rome signed by the calligrapher Giovanni Battista Palatino (Frutaz 12). The map is of great importance in the history of Roman cartography, as it is the source for Bufalini’s plan of 1551, which in turn served the model for Nolli’s plan of 1748. The most famous and influential of the illustrations is a full-paged woodcut of the spectacular sculptural grouping of Laocoön and his sons, a Roman marble copy of a Hellenistic original, discovered in the Baths of Titus in January, 1506 and removed to the Vatican at the direction of Julius II.

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Fowler 189; Mortimer Italian, 284; Adams M-610 (this issue); Berlin Katalog 1831; Brunet III.1437; Cicognara 3778; Schudt, Le Guide di Roma, 605; Rossetti G-308; Borroni II.7923.3; Schlosser p. 601; Fossati Bellani 903; Olschki 17512; on the map: Fruatz, Le Piante di Roma, Vol. I, No. 12

Ovid’s Metamorphoses in 16th c. England. One of the First Books Printed at Cambridge & A Source for Sandys’ Ovid

Ovidius Naso, Publius (43 BCE-17 CE); Sabinus [Schuler], Georg (1508-1560)
Fabularum Ouidii interpretatio, ethica, physica, et historica, tradita in Academia Regiomontana à Georgio Sabino, & in vnum collecta & edita studio & industria T.T. Accessit etiam ex natalis comitis mythologijs de fabularum vtilitate, varietate, partibus & scriptoribus, deq́[ue] apologorum, fabularum, ænorumq́[ue] differentia, tractatio. Cum indice verborum & rerum præcipuarum in Ouidio & Sabino comprehensarum

Cambridge: ex officina Thomæ Thomæ celeberrimæ Academiæ Cantabrigiensis typographi, 1584

Octavo: [16], 407, 410-589, 600-638, [14] p. Collation: [par.]8, A-Qq8, Rr8

$4,500.00

This is the sole edition of Georg Sabinus’ “Fabularum Ovidii Interpretatio” (“Interpretation of the Fables of Ovid”) printed in England. First published in 1554, Sabinus’ work was printed independently of Ovid’s poem but for this edition, the editor Thomas Thomas (1553-1588), Cambridge’s first University Printer (famously described in a Marprelate tract as ‘that puritan Cambridge printer’), added the complete text of the “Metamorphoses.

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STC (2nd ed.), 18951; ESTC S113837. Further reading: McKitterick, "A History of Cambridge University Press", Ch. 5. "Thomas Thomas, That Puritan Printer", p. 71-108

The first integral printing of all the extant fragments of Petronius, including the “Dinner of Trimalchio”

Petronius Arbiter, Titus (d. 66 A.D.)
Satyricon, Cum Fragmento nuper Tragurii reperto. Accedunt diversorum Poetarum Lusus in Priapum, Pervigilium Veneris, Ausonii cento nuptialis, Cupido crucifixus, Epistolae de Cleopatra, & alia nonnulla. Omnia Commentariis, & Notis Doctorum Virorum illustrata. Concinnante Michaele Hadrianide. [With] Integrum Titi Petronii Arbitri Fragmentum, Ex antiquo codice Traguriensi Romae exscriptum; cum Apologia Marini Statilii I.V.D.

Amsterdam: Johannes Blaeu, 1669 and 1671

Octavo: 19.3 x 11.5 cm. I. *8 (-*1, blank), **8, ***2, A-Z8, Aa-Oo8, Pp4, Aaa-Lll8; II. *4, A-F8, G4 (lacking blank leaf G4) With an added, engraved title page by Romeyn de Hooghe (1645-1708).

$4,500.00

Michael Hadrianides’ 1669 edition of Petronius is the first to incorporate the “Fragmentum” discovered in Trau, Dalmatia, which contained the hitherto unknown text of the “Cena Trimalchionis” and is also "the first edition to contain all the fragments of the novel that we currently possess”. This copy is bound together with the –often lacking- 1670 edition of the “Fragmentum”, which prints the text as it appeared in the manuscript, here edited by Johannes Lucius, with the Apologia of Marino Statileo, who discovered the manuscript in Dalmatia.

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Schmeling & Stuckley, Bibilography of Petronius, 71 & 78; Gaselee (Bibliography of Petronius), 49 & 51; Schweiger II p.723; Brunet IV 574; Graesse Vol 5 p. 239; Dibdin (4th ed.) Vol II, p. 276. Literature: See M.S. Smith’s 1975 Oxford edition of the “Cena Trimalchionis”, pp. xxii-xxiii and xxxvi; See also Alfred R. Allinson’s introduction to his translation of the “Satyricon.”

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